Pietro Guglielmi (1728-1804). This composer is often listed as one of the
most important composers of 18th-century opera in
Italy. He was prolific and wrote about 100 operas,
both serious and comic, oratories, a requiem,
symphonies, and sonatas. He was born at Massa in
Tuscany and studied at the Santa Maria Loreto
conservatory in Naples. Unusually, he went
elsewhere to start his career. His first opera opened
in Torino in 1755, and in 1762 he took a post as the
musical director at the opera theater in Dresden in
Germany. In 1768, he went to London and enjoyed
considerable success. He returned to Naples in 1777,
but his reputation has not stood the test of time in
comparison to the younger composers already active
there, primarily Paisiello
and Cimarosa.
Antonio Sacchini
Antonio Sacchini(1730-1786) was born in Florence into the family of a poor
fisherman. They moved to Pozzuoli, near Naples, at which
point the prominent Neapolitan composer Francesco Durante
happened to hear young Antonio singing down at the docks.
Durante told Sacchini's parents the 18th-century
equivalent of "I can make your kid a star" and off the
young boy went to study music at the Sant'Onofrio conservatory.
He then lived as a voice coach and by writing dialect
comic opera for local theaters, not San Carlo. Five of his early
comic operas opened in Naples between 1756-1760. In 1768,
his serious opera, Alessandro
nell'Indie (to Metastasio's
workhorse libretto) was so well received in Venice that he
was offered and accepted the post of director of the Ospedaletto
conservatory in that city. He then worked abroad in
Germany. England and, primarily, France, where he was
touted as the successor to Gluck. Although he did have an
opera premier in Naples as late as 1771, most of his later
works premiered in London and then Paris, where he died.
He was certainly not obscure in his day and is another of
those often listed as one of the great composers of
18th-century Italian opera. He didn't even live long enough to see music pass
him by.
Giacomo Tritto (1733-1824)
was born in Altamura, near Bari in Puglia, and studied at
the Pietà dei Turchini music
conservatory in Naples. His music first appeared on the stage at San
Carlo in the form of a serious opera, Artenice, in 1784
although earlier comic operas of his had appeared
elsewhere in the city, such as the Teatro
Fiorentino and the Teatro Nuovo. He became the
orchestral conductor at San Carlo and was noted as a
teacher. Among his music students were Bellini and Meyerbeer. He
also became co-director of his old conservatory and
when the French, under Murat,
unified the conservatories, became co-director of the
new conservatory, along with Giovanni
Paisiello. Tritto composed more than 50 operas,
both serious and comic, 20 of which premiered in
Naples, the serious operas at San Carlo and the comic
operas at other theaters. Most of his works are
forgotten. As is the case with some other composers in
this period (Zingarelli,
for example) Tritto's very long life went from the
late Baroque to early Romanticism, from Bach to
Beethoven. In his own Naples, he was up against
everyone from Paisiello and Cimarosa to Rossini and
Bellini. Music changed greatly during his lifetime and
history has forgotten composers who did not change
with it.
Giuseppe
Giordani (1751-98) was also known
as "Giordanello." He studied at the San Loreto music
conservatory in Naples. He became the choir director
at the cathedral of Naples in 1774. His music was first
performed at San Carlo in the form of The Destruction of
Jerusalem, a sacred drama that so impressed
Johann Wolfgang von Goethe, present at the performance,
that Goethe remembered the occasion in his book about his
travels in Italy, Italienische
Reise. Giordani composed both serious and comic
operas, but was primarily known in his day for sacred
music. He was known not just in Naples or even just
Italian theaters, but in Madrid, Lisbon and Dresden, as
well. To this day, it is traditional to perform his Nina Nana (Lullaby)
on Christmas night in the church of San Domenico Maggiore
in Naples.