The Revolt of Masaniello is more of an interesting sidelight than a pivotal chapter in the history of Naples. That is, this brief rebellion by the people —les miserables— of Naples against the Spanish rulers of the city in 1647 is now solidly entrenched in Neapolitan folklore. It has heroism, treachery, deceit, murder, success and defeat, all the elements of a good tale.
Tommaso Anielo (nicknamed "Masaniello") (1620-1647) was an illiterate fishmonger living and working in the area of Piazza Mercato (Market Square). That part of the city was, at the time, much more central to the everyday affairs of Naples than it is today. The rebuilding of Naples in the late 1800s and early 1900s separated the old Market Square from the new "downtown" and removed the market place from the vital position it had held for centuries. It was not simply a market place. It was the site of the popular Church of the Carmine; it was a venue for folk festivals; it was the scene of historic events such as the execution of the Swabian pretender, Conradin; it had a gallows and various instruments of torture set up in the square and all used in the 1600s; the king's soldiers thronged the square; it was filthy, loud, crowded, colorful, busy and, very important, here was where you went to pay your taxes.
The revolt apparently had a background of legitimate popular discontent at ever-increasing taxes imposed by the Spanish crown through their viceroy in Naples. The actual outburst, itself, came at a popular festival held in early July for the Feast of the Madonna of the Carmine. This yearly festival entailed a mock battle between the people and Turkish invaders. (This was at a time, of course, when the memory of such invasions was still fresh. The many Saracen towers set up around the city and, indeed, the entire coastline of the Kingdom of Naples were a constant reminder of the recent past. At the time of the revolt, there were no doubt still those in Naples who remembered the epic sea battle of Lepanto in 1571 when the Turks had finally been defeated.)
Straight folklore simply says that when
the news broke in Piazza Mercato (painting, left) that
the Spanish had levied yet another tax on fruit,
Masaniello, in charge of the mock army fighting the mock
Turks in the festival, was outraged and through the
power of his Robin Hood-type charisma transformed his
make-believe army into a real one and marched on the
palace to wring justice from the evil overlord, the
Spanish viceroy. There is some evidence that Masaniello,
however, had been contacted by one Don Giulio Genoino,
an elderly priest who had tried and failed 20 years
earlier to get some redress from the viceroy and had
actually spent time in prison for his efforts. Genoino
may have been the puppet master pulling Masaniello's
strings —the brains behind the revolt.
In any event, on Sunday
morning, July 7, 1647, Masaniello's ragtag army, with him
and his cousin at the head, spilled out of the festival
—out of the world of make-believe— and into the very real
tax-collection stalls of the market place and the battle
was on. Their cry is said to have been, "Long live the
King! Down with bad government!" They wrecked the tax
stalls, kept moving, and destroyed the nearby home of an
infamous tax collector by the name of Girolamo Letizia.
With a mob/army of, by now, tens of thousands on the loose
and roaming the streets, the Spanish viceroy was forced
into concessions that, on paper, seem modest enough: the
repeal of unjust taxes and the re-institution of some of
the early reforms set up in the previous century by the
great founder of the Spanish Empire, Charles V. There was
no realistic expectation or demand in 1647 for the
abolition of the monarchy, a constitution, or even, what
some say Masaniello (probably Genoino, above) really
wanted: a reordering of society by which the people and
the noble classes would be declared "equal"—whatever that
might have meant.
Masaniello got his few concessions, but they were apparently a rearguard action while the viceroy regrouped his forces. In other words, the viceroy caved in quickly, wined and dined Masaniello and his wife, and then set about getting rid of Masaniello. Simple murder makes martyrs, so that was out of the question. Somehow he had to make Masaniello irrelevant, disengage him from his cause and his followers.
A few days into the revolt, Masaniello started exhibiting strange behavior. He went mad, they say. There are two possibilities: one is that he was totally drunk with the trappings of power conceded to him by the viceroy—by the parades, the banquets, the white horses, by having himself appointed Captain of the People, by hearing his wife referred to as "the Queen of the People", etc. etc. Two—by most accounts, a likely possibility—is that he was poisoned with roserpina, a powerful hallucinogenic, dumped into his wine at one of the many banquets he attended at the palace.
On July 16, after giving a rambling, incoherent declaration to the people, he stormed into the Church of the Carmine and disrobed. At that point, obviously helpless and useless, he was dragged into a room in the adjacent monastery and murdered, probably by hired assassins. They severed his head and took it to the viceroy. The rest of Masaniello was collected by his loyal followers, who managed to get the head back and give the entire body a decent burial in the Church of the Carmine. More than a century later, these remains were disinterred and disposed of (probably strewn into the sea) on the order of Ferdinand IV of Naples, who was taking no chances that the burial site might serve as some sort of a pilgrimage point for yet more revolutionaries.
The revolt lasted nine
days, start to finish. At its headiest, it made the
viceroy desert the palace and hole up in the Castel dell'Ovo for a while. At
Masaniello's death, the revolt was spent, and it is
difficult to judge whatever potential it might have had
in the hands of a solid block of organized
revolutionaries. It did set the stage for a very short-lived First Neapolitan
Republic as part of the struggle for Naples
between Spain and France.
Today, this
plaque marks
Masaniello's birthplace and
home near Piazza Mercato.
Masaniello was no doubt a natural
rallier of men. They say that he and his rebels refused
bribes from the Spanish to calm down, and that they even
turned down an offer of help from the French, who would
have been happy to see the Spanish lose Naples, land
that had once been French. Be all that as it may, no
constitution was granted or even demanded. Masaniello
wanted a redress of grievances, which he got, and which
did not last long after his demise. States are not
toppled by charisma alone. They may be toppled
by charismatic leaders with a power base, something that
Masaniello lacked.
Whatever support he had, evaporated almost immediately. From a historical distance, from which we can view the American Revolution, the French Revolution, and the Russian Revolution, it is easy to read too much into the Neapolitan revolution of 1647 and, thus, it is difficult to judge Masaniello. Modern romantic claims that Masaniello's ideals forked over like lightning to inspire the downtrodden elsewhere in Europe are difficult to substantiate. Interestingly, a great revolution was taking place elsewhere in Europe at exactly the same time —the civil war in England, which resulted in a king being beheaded and a "protector," Oliver Cromwell, taking his place. The circumstances in Naples were totally different. (For one thing, religious strife was not a factor in Naples; everyone was, and still is, Roman Catholic.)
There is no evidence
that the rebellion, itself, produced any lasting effects
on the social conditions of Naples or on the generally
miserable lives that the masses led. The episode, perhaps,
served to remind the rulers that the masses could get out
of hand. It is not clear that the rulers stored that bit
of knowledge in any but the most peripheral parts of their
consciousness. It would be 150 years before Naples was
swept by other waves of revolutionary fervor, this time
more solid ones coming in the wake of the French Revolution and Napoleon
Bonaparte.
See also: The First
Neapolitan Republic
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