entry Oct 2011, edited Aug 2021
Letter from Anacapri,
September 2011.
On the Trail of the Tiny Forts
Sept. 21—First Day of Autumn
Sunset
from Anacapri. The island of Ischia
is in the background, lower right.
We got here about 6 pm. I hadn’t taken
a boat to the local islands in so long that I wasn’t
aware of how much the comings and goings at the main
port in Naples have changed. The hydrofoils and fast
double-hull boats are now all at one pier, Molo
Beverello, directly in front of the Maschio Angioino fortress,
while the ferries have moved to a new pier called
Porta di Massa, about 100 yards farther east, beyond
the old Immacolatella
customs station. The new terminal at Porta di
Massa is really a remodeled old warehouse from well
before WWII, possibly even from 1900 when the port was
rebuilt during the risanamento.
The shiny plaque says the new pier and passenger
terminal have been open since 2007, but you couldn’t
prove it by me.
Our hotel
on the Anacapri hill lives up to its name—Bellavista
(Beautiful View): our balcony faces Vesuvius and the
coast of Naples; the dining room faces northwest to
the islands of Ischia and Procida. (I was sure the sun
was rising in the wrong place the next morning but I
finally figured it out. I was wrong; HE was right, as
usual. HE is either God or the sun—of masculine
grammatical gender in Italian. If your language is
German, your mileage may differ.)
The highest white dot
(dead center) you see
in the patch of green just below the clouds is the
famous Castle of Barbarossa. In the late 1800s
it housed a number of ateliers for artists such
as John Singer Sargent. More on that story here.
Castle of Barbarossa

The island of Capri is
off the east end of the Gulf of Naples. We are high
enough in the town of Anacapri on the western side
of the island so that facing over some 17 miles (30
km) across the bay you see Ischia
and Procida distinctly as
two separate islands off the other end of the gulf.
(Even Vivara, Procida’s own little satellite isle,
is quite distinct.) You don’t see that separation
from many places in the bay. If you’re at sea-level
(on a sail boat, for example) and farther than four
or five miles away from those islands and looking at
them, the bottoms are cut off by the horizon; unless
you already know, you can’t really tell the
difference between separate bits of land and a
single low-lying strip broken up in places by the
optical trick of the horizon. (Note: If you are
six-feet tall and standing on the beach, your line
of sight out to sea will hit the horizon —the curve
of the earth— in about four miles; a crusty old
merchant seaman told me that! So if you are good at
math and you know the circumference of the earth,
you should be able to calculate how tall you are!
Then again, I may have watched too many episodes of
NUMB3RS.
p.s. I just tried this; I am 12 feet tall. Back to
the drawing board!) Thus, even from the modest
height of the town of Anacapri—just under 300
meters/900 feet—you actually see Ischia and Procida
set in the sea with the horizon behind. Then you see
the two-mile strait between Procida and Monte di
Procida on the mainland, then all of the western end
of the Gulf of Naples and the Bay of Pozzuoli, then
to the east past the city and finally Vesuvius
before your view runs into our neighboring hotel,
the Cesare Augusto. They have a good view, too.
Even
Caesar Augustus gets no
respect these days
My wife chose
this hotel because she remembers staying here with
her parents when she was a little girl. I hoped we
would be at the place down the road where we stayed
a couple of years ago. They had a collection of old
science books, totally neglected and falling apart
and jammed askew into the shelves. That is my
justification for ‘saving’ a volume by Alfred Russel
Wallace, the ‘other’ Darwin. It was called The Wonderful Century—written
in 1898, when the future seemed predictable. The
book was a glowing view of science and the future.
It contained this passage:
The flowing tide
is with us. We have great poets, great writers ,
great thinkers, to cheer and guide us; and an
ever-increasing band of earnest workers to
spread the light and help on the good time
coming. And as this century has witnessed a
material and intellectual advance wholly
unprecedented in the history of human progress,
so the Coming Century will reap the full
fruition of that advance, in a moral and social
upheaval of an equally new and unprecedented
kind, and equally great in amount.
Wallace died in 1913, one
year before the beginning of the Great War.
We had a good dinner; we paid too
much but were surrounded by beautiful people. It was
one of those places, quite common on Capri, that
displays photos on the walls of all the famous
people who have dined there. (I offered them a
picture of Yours Truly! They said they’d get back to
me.)
I really want to get a swim in tomorrow; today
the high daytime temperature was probably 25+ C.
(high 70s, F.) although it cooled off quickly later
in the afternoon. I also have to find the trail of small English
forts along the western side of the
island and take some photos. (They are alternately
called “French forts” in some sources. They were
both. See the link immediately above and also the
section farther down on this page.)
the lighthouse
Sept
22—I
took a swim at the lighthouse. It’s at Punta
Carena, the furthest south-western point on the
island of Capri. The octagonal tower was built in
1866; the focal plane (an imaginary line extending
straight out from the center of the lens) is 73
meters (240 ft) above the surface of the water. It
is one of the most important lighthouses in the
Tyrrhenian Sea in terms of the number of passing
ships that rely on it. It is a rotating lamp with a
period of 3 seconds that can be seen at a distance
of 25 nautical miles/46 km. Since 2005 the
lighthouse keeper has been Carlo D’Oriano, a former
petty officer in the Italian navy. He loves the sea
and solitude; clearly the right man at the right
job! He is due to retire soon, and, alas, the job,
itself, may not last much longer. Lighthouses are
being increasingly automated around the world, and
the figure of the lone sentinel watching over “those
in peril on the sea” is fated to vanish.
[More on lighthouses here.]
While I was standing
around, a most singular thing occurred (sorry, I’ve
been rereading Sherlock
Holmes on my e-reader!): there was a very
low fly-over of single-engine two-seater Italian air
force training planes, all the same color (red).
There were about 15 of them and for a second it
looked like a scene from Pearl Harbor. I saw the evil
smirks on the pilots’ faces as they looked down and
mocked us. I shook my fist at them and shouted “You
nefarious oriental fiends!” even though they were
really nefarious occidental fiends. They high-tailed
it for home when they heard that “chuka-chuka-chuka!”
.50 caliber sound I imitate so well with my voice. I
have to find out exactly what that was all about.
The water temperature was perfect. I also found the
beginning (from the southwest lighthouse end) of the
trail that leads by the forts. It looks very
do-able. I might try tomorrow. They tell me that
it’s a 2-to-3-hour hike over to the other end near
the Blue Grotto.
This western side of
the island is still rural in many parts. It’s a
pleasant break from the tourists, although there are
still plenty of them around even in late September
near the center of the town of Anacapri (and,
obviously, in the town of Capri, itself). There are
long strings of them following their group leader
who waves aloft some sort of stick with a number or
tour group logo on it so that stragglers can home in
on it and not wander over a cliff, or, even worse,
wander near a place where they might NOT spend
money! The wandering, trampling hordes are precisely
what you don’t like about famous places —even if
you, yourself, are part of the horde. As much as the
poet Rainer Maria Rilke loved this island
(particularly Anacapri), he got wound up about the
tourist noise and glitter. He said that the town of
Capri, itself, looked like a bad movie set built by
German tourists. “..The
signs of their stupid admiration...are so showy
and tenacious that even the terrible storms that
from time to time grip the island cannot cancel
them...”.
Our friend and life-long
resident of Anacapri, Gabriela, is going to come
over and pick us up in a couple of hours and take us
back to the old homestead for some old homestead
cooking! She's a marvelous cook! She and her husband
have a huge garden/vineyard; happily, there is still
room on the island for those. She is just back from
a pilgrimage to some place in ex-Yugoslavia (I’m not
sure which one of the new “Yugo-Lands”—I think
Montenegro; welcome back to the political geography
of WWI). She came over on the boat from Naples last
night almost as soon as she got back, full of energy
and new vitality. She had been at a place where they
(or someone or many someones have seen the Blessed
Virgin). I stopped judging the miracles of others a
long time ago. She missed the miracle
of San Gennaro, though —the annual
liquefaction of some blood in a vial in the Naples
Cathedral. Recently the Italian senate declared the traditional
holiday (Sept. 19) defunct and ‘floated’ it to
the following Sunday. Gennaro had his miracle on the
traditional day anyway (just a few
days ago), essentially telling the senators to go
jump in the lake (the one of fire and brimstone, one
hopes). Again, I don’t judge miracles.
Sergio Rubino
Sept. 23— Cloudy morning, maybe not so
good for photos. It’s only 8 a.m. though, so I’ll wait
and see a while before I decide whether or not to take
my photo hike of the forts. (Later)—Maybe not today.
Interesting coincidence, though. This morning, I was
browsing through some of the glossy magazines about
Capri that hotels leave lying around for the guests: Capri Fashion, Capri Review, Capri Sailing, Capri Living, Capri Goats
(well, maybe not Capri
Goats). They are chock-a-block with
advertising for perfume, watches, leather goods,
jewelry, ceramics, clothing, hand-made sandals,
sandal-made hands, art galleries, boutiques, hotels
and restaurants, interlarded with short feature
articles about things that usually don’t interest me,
such as what Rita Hayworth was doing here in 1950.
(Spoiler alert: shopping!)
There was one item, however, about a local potter,
painter and sculptor who has been at work here since
the 1970s and is responsible for prominent “new
majolica” ceramic tile work on the island,
including one that I took a picture of yesterday
before I knew any of this. It is the ceramic map of
the “Trail of the Little Forts” posted near the
lighthouse at the point where the trail begins from
the southwest end. It is the first of many such
descriptive tiles along the way; sooner or later I
want to see the rest.
The
artist’s name is Sergio Rubino (photo, above).
He has a worldwide reputation with works on permanent
display, for example, at the Metropolitan Museum in
New York, and the Underwater Exploration Institute in
Bermuda. Between 1991 and 1993 Rubino and his sons
Michelangelo and Raffaello opened a workshop in New
York City and then a multifunctional Art Center,
“Rubino’s Art Village” in Jeffersonville, NY, in the
Catskills. He has also restored restaurants in
Switzerland, religious artifacts on Capri, and at
Piazza Diaz in Anacapri he has restored the antique
majolica benches and pillars. He has filled some
rather unusual private commissions, as well, including
making a tea-pot for author Graham
Greene, honorary citizen of Anacapri. He also
made another tea-pot for a woman who wanted the spout
in the form of a penis! (Besides miracles, I also do not judge
women who want tea-pots like that.) Rubino has
complained about Capri souvenirs made in China, is a
strong supporter of local artisanship, and accepts
apprentices.
In addition to the Little Forts
ceramic descriptions (such as the one in the photo,
right) that I intend to search out, Rubino has one
that intrigues me of what the Palazzo a Mare
might have looked like at the time of Tiberius (image
detail, below). That is the seaside stretch of the
island facing Naples, below the heights of Anacapri
about halfway between the main Marina and the Blue
Grotto. Remnants of this Roman villa have been found,
so the artist’s reconstruction is at least plausible.
I found Rubino at his studio. He is a native of
Anacapri and is gracious and garrulous. I asked if he
had used a source for his version of the spectacular
Roman buildings along the sea. He laughed and said, “Imagination! But that’s
the way it should look.” Agreed. I really do
wish they would build it all back to look exactly as
he has recreated it —plus high-speed internet
connection, of course. I may be nostalgic, but I’m not
a Luddite.
Sept.
24—
This morning I made
it down to the first fortino —little fort— the one
nearest the lighthouse. It is Fortino di Pino
(photo, left). It’s quite a hike down and, especially,
back. There are three main ones in all; the other two
are Fortino di
Mesola and Fortino
di Orrico. (There is a fourth smaller
fortification, also on the trail near the lighthouse
called Fortino
Tombosiello.) I think it would be very
difficult to do all of them in just two or three
hours, especially if you like to dawdle to take photos
and linger over the written explanations.
the ceramic library
As advertised,
Sergio Rubino has about two-hundred exquisite ceramic
paintings and descriptions (in Italian and English)
along the entire Trail of Little Forts, covering
everything from the forts themselves to notes on the
geology, flora and fauna of the area, including some
about the marine life in local waters. Many of the
tiles are three-dimensional to simulate a book opened
to display a painted image on
the left-hand page with explanatory
text on the facing page (photo, right). At one point
my glance fell upon a ceramic page about Euphorbia dendroides,
a plant called the Tree Spurge in English; it “enchants with the
beauty of its colors...but is sharp and
toxic...gracefully dresses the melancholy fall of
the leaves, first fiery, then fading...In the end it
stands erect, a bare summer skeleton, full only of
poison.” (Great, now I'm depressed. I
wonder if that plant is trying to tell me something.)
It all amounts to a grand outdoor ceramic library with
books strategically opened around the landscape. The
“library” and restored fortifications are the
culmination of work that started in the late 1990s.
It’s probably all too recent for UNESCO to start
worrying about this, but I did see a broken tile (and
there may be others); an “eco-museum” such as this
really does strike me as one of those cultural
artifacts that we should be concerned with saving.
the battle
There have been
various watch-towers and fortification on the cliffs
of Anacapri for many centuries; some of them go back
to the need to protect from Saracen incursions well
over 500 years ago. The restored forts that you can
now hike to and visit, however, are probably largely
the work of the British, allies of the Kingdom of
Naples during the Napoleonic wars. Scholars are not
entirely agreed on that, however; to some extent, you
may also be looking at bits of earlier Bourbon
fortifications from the late 1700s or later French
construction and even Bourbon building from the period
just after the Restoration (1815). The fort on the
northwest corner of the island, Fortino Orrico,
near the Blue Grotto, is the most interesting one in
terms of military history. As Napoleonic battles go,
the “Battle of Capri” is not exactly Austerlitz or
Marengo, but it does rate a mention among Napoleon’s
Mediterranean victories inscribed on the Arc de Triomphe
in Paris. Indeed, the battle does have at least one
spectacular highlight:
Fort
Orrico
Napoleon took the
Kingdom of Naples in 1806 and sent the Bourbon royals
running off to Sicily. They had plans, however, to
retake their kingdom, plans that required the British
fleet to recapture the island of Capri and hold it.
The first part worked fine; the British took Capri in
May of 1806 and set about fortifying it as another
Gibraltar. It was a great idea!—a British naval base
in the gulf, just a few miles off-shore from the
capital city of the French client state, the Kingdom
of Naples. Capri quickly became a formidable British
naval presence and a hotbed of conspiracy to restore
the Bourbons—a total thorn in the side to the French.
But the next part—keeping the island—was another
matter; the British held Capri until October of 1808,
when a combined French and Neapolitan force staged
diversionary attacks at the main and secondary harbors
of Capri and then sent 2,000 men up the sheer cliffs
at Orrico in a very daring assault.
(Interestingly, the officers in the attacking force
were, indeed, French, but many of the troops were
Neapolitan “irregulars” —we call them “mercenaries”
today— recruited by king Murat
specifically for the task. They even wore uniforms of
their own design! I have that information from Mr.
Rubino, just the person to specify a detail such as
that.) The fort on the Orrico cliff was unassailable
“without wings” (according to a fisherman sent to
scout out a suitable point for ascent), so the
invaders sprouted ladders. They brought aboard their
ships the many hundreds of ladders used two years
earlier to install tall street lamps in the dark
streets of Naples and in a very difficult undertaking
took the fort, then the town of Anacapri and
eventually the whole island. Small irony: the British
commander who surrendered, General Hudson Lowe, had
been expecting imminent resupply and reinforcement by
the British fleet. It arrived —bearing a store of the
General’s favorite wine!— a few hours after the
surrender! Speaking of small ironies: Hudson Lowe
wound up a few years later as Napoleon’s
last jailer on another island—St. Helena. Napoleon
mocked him by calling him “the hero of Capri.”
villa
Damecuta
I went to Villa
Damecuta in the afternoon. There are
descriptions at the entrance of what little remains of
this, one of Tiberius’ 12 villas on Capri. There
really isn’t too much to see, certainly not on the
order of the Villa Tiberius at the other end of the
island. It’s not just the ravages of time, either; the
Villa Damecuta has undergone more recent episodes of
intentional alteration in the name of some cause or
other and, as well, has been plundered over the
centuries either by farmers looking for stone for
their own buildings or by amateur archaeologists such
as William Hamilton
looking for loot to send home to the British Museum.
The text near the entrance says:
The villa, which was
constructed in the Iulius-Claudius age, was
damaged and abandoned following the eruption of
Vesuvius in 79 A.D. A watchtower was built in
Medieval times and towards the end of the 18th
century Bourbon fortifications were added. The
villa occupied an extremely vast area and is
supposed to originally have had a passageway to
the sea. The part which can be seen was excavated
by Amedeo Maiuri between 1937-1948 and includes a
guest area and a private residence. The line of
top floor rooms and the structures of the bottom
floors, built against the rockface, have been
preserved.
The site is directly on the
height overlooking the waters that stretch to Ischia
and the mainland. The viewable, excavated section is a
narrow strip with a rotunda at one end overlooking the
sea and fronting on the remains of what was a large
structure with many rooms (the “guest area” referred
to, above). There is then an 80-meter path along the
cliff to the other end of the site, where a medieval
tower stands. Stairs lead down to where the tower, as
Maiuri discovered, concealed the remains of a small
alcove (the “private residence”—apparently one of
Tiberius’ favorite places to get away from his
guests). The entire Villa Damecuta was well supplied
with water from an underground cistern set back about
200 meters towards the higher hillside. The site is at
the end of a small street named, indeed, for archaeologist Maiuri.
Villa
Damecuta is adjacent to a military weather
station and helicopter pad with a big sign that
says, “Passing this boundary will provoke an armed
response.” Not “...may
provoke...” but “... WILL provoke...” The image that
goes with the warning is of a sentry aiming a rifle
straight out at you, the person reading the message.
I wanted to see if they had any information on my
Pearl Harbor incident, but there wasn’t anyone at
the gate. I shook my fist, muttered “chuka-chuka-chuka!”
and left.
relevant
entries:
Anacapri
Anacapri (English forts)
Capri
Battle of Capri
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